THE SMART TRICK OF SUGAR JACKS 0 40 THAT NOBODY IS DISCUSSING

Notions of looking and voyeurism are dealt with spatially and architecturally in “Very good For Me.” During this sequence, swooping strains develop a style of peephole impact that reveals Mundt in two distinct poses: adopting the posture of Toulouse-Lautrec’s product and tugging at her belly. This gesture, which seems in other paintings while